NIGHT WOLF #1 (Script Only)
"THE CALM, BEFORE THE STORM"
By Rob Multari & Lone Wolf Comics (LoneWolfComics.com) © 2007 - 2012
PANEL 1: This is a long shot of Rob standing on the edge of a cliff at the opening of a dark forest. In the background is a canapé of trees and a mountain with a castle on it. The scene is dark, but being lit by a flash of lightning. Rob looks confused.
PANEL 2: This is a close-up of Rob's confused face.
ROB Where the hell am I?
PANEL 3: Medium shot of Rob reacting to Jen's scream.
PANEL 4: This is a shot looking over Rob's shoulder. A giant bat is carrying Jen away towards a castle.
JEN ROB!!! HELP ME!!!
PANEL 5: This is a high angle medium-long shot of Rob jumping off the cliff.
PANEL 6: This is a medium shot of Rob almost touching the ground.
PANEL 1: This is low angle shot of Rob landing in a cemetery. All you see is his feet, legs, and hands on impact. Fog, trees, and tombstones all around.
PANEL 2: This is a medium shot of him getting up, and beginning to run. Fog, trees, and tombstones all around.
PANEL 3: Close-up of hands coming from the ground and grabbing his feet (inside PANEL 4).
PANEL 4: This is a medium shot of Rob falling.
PANEL 5: This is a high angle shot of Rob on the ground with Zombie versions of Ani, Rebecca, and Candyce attacking him.
PANEL 1: This is a medium-long shot of Cirray in wolf form attacking the zombies while Rob escapes.
PANEL 2: This is a low angle shot of Rob continuing to chase after Jen and the bat.
PANEL 3: This is a high angle shot of Rob coming up to an old run down abandoned castle.
PANEL 4: This is a low angle shot of Rob looking up at the castle. On either side of the entrance there are statues of Tartarus and Black Claw in menacing poses.
PANEL 5: High angle shot of Rob wandering through the halls.
PANEL 6: This is a medium shot of Rob stopping suddenly with a look of terror on his face.
PANEL 1: This is a high angle medium shot of a black werewolf, half in shadow, eating Jen's innards.
PANEL 2: This is a closer shot of the wolf starting to turn around into the light towards Rob.
PANEL 3: This is an even closer shot of the wolf turning around into the light towards Rob. The wolf's pelt isn't just black anymore it has shades of gray to white also.
PANEL 4: This is a close-up of Rob with a feral look and blood all over his face instead of the wolf.
PANEL 5: This is a high angle shot of Rob's house at night being lit up by lightning.
CAPTION The Marcelli Household just outside of the small town of West Middlesex, PA.
PANEL 1: The title and credit go on this PANEL. Images of Rob's nightmare are over his head. He is sitting up screaming from the nightmare. He's drenched in sweat. Jen is lying beside him.
NARRATION Have you ever had those dreams where everything seems so real? Even your senses tell you that you were really living those moments outside your subconscious mind.
ROB Nooooooo!!! "GASP!!!" "Huff, huff, huff." "Sigh."
PANEL 2: This is a high angle medium shot of Rob sitting on the edge of the bed with his hand on his face and his elbows on his knees. The room is dark with moonlight coming through the window. Jen is behind Rob holding him.
NARRATION You feel the environment around you clear as day. You feel the chill in the air, the moister of the fog against your skin, and in this case
I can still taste the blood in my mouth.
JEN Rob, what's the matter? Are you okay?
ROB "Sigh." Nothing, it was just a nightmare
JEN Are you sure? Do you want to talk about it? What happened?
ROB No, I'm fine. It's nothing, really.
PANEL 3: This is a medium shot of Rob turned to face Jen. She is touching his cheek.
JEN Awe, baby lay back down. You sure you're all right?
ROB Yeah, I'm fine. Jen, I love you.
PANEL 4: This is a high angle shot of Rob lying down with his arms wrapped around her.
JEN Love you too. G'night, babe.
ROB G'night, beautiful.
PANEL 5: This is a close-up of the clock, which says its 3:08am.
PANEL 1: A high angle long shot of a castle/mansion (like Luthor Mansion in Smallville) with mountains around it, and lightning striking.
CAPTION Deep in the Appalachian Mountains.
NARRATION For the last few nights
PANEL 2: This is a low angle shot of Hecate standing over a caldron in a dark dungeon like chamber. She has her hand on her chin and the other on her elbow.
my dreams have been haunted by nightmarish creatures
PANEL 3: This is a high angle shot of Hecate throwing in some spices, and waving one of her hands above the caldron. In the caldron are images from Rob's nightmare.
HECATE It is time.
MALICE Time for what, you old Hag?
PANEL 4: This is a low angle shot of a tall dark figure, dressed in a black suit, steps into the light just enough to see all but his face, but you can still see his glowing red eyes.
faces I've never seen before
HECATE Lord Malice!?! Master, I didn't realize you were standing there!
MALICE Indeed, now tell me what you're babbling about, Hecate.
HECATE The moon is almost full, and the time of maturity draws near for the newest Monoki lycanthrope in our region.
PANEL 5: This is a high angle shot looking over their shoulders into the caldron as a full moon rises with the silhouette of a wolf in it.
MALICE Another flea bag, eh? Is it a mongrel or a purebred?
HECATE I don't know, I can't determine the beast's nature.
MALICE What's wrong Hecate, getting senile? Is your age finally catching up to you? Even a blind man could distinguish the breed as easily as black and white.
PANEL 6: This is a low angle medium shot of Hecate looking at Lord Malice whose face is still in shadow.
HECATE Yes usually, but for some reason the vision reveals his pelt to be mixed. Too unpure to be a purebred, yet not tainted enough to be a mongrel. What should we do, master?
send the twins out to investigate, and summon Black Claw at once.
PANEL 1: This is a medium shot of Rob driving his Jeep with Jen in the front and Jess in the back.
CAPTION Saturday 1:24pm.
NARRATION I've had nightmares before, but these feel so real.
JESS So where are we headed?
JEN We're going to the Mall to meet Scott, Tyler, John, and Joe.
JESS Joe?! Oh, he is sooo cute.
PANEL 2: This is a medium shot of Scott and Rob shaking hands.
CAPTION Saturday 1:38pm.
NARRATION Still can't get that nasty blood taste out of my mouth.
SCOTT There's Mr. Football himself! Rob, how ya doin'?
doin'. How you doin,' Scott?
SCOTT Good, good. Hell of a game last night, huh?
PANEL 3: This is a medium shot of the teens standing around the old people benches talking.
NARRATION It's even making me sick to my stomach.
ROB Yeah, got to keep the Keystone State recruiters happy so I can keep my scholarship.
JOE So what's the plan, John?
JOHN Let's get into a fight! You got my back right?
JOE Yeah dawg, I got your back. Waaay back.
PANEL 4: This is a high angle shot of them all laughing excepted Rob and the girls walking into the nearby store.
NARRATION Or was it something I ate?
JESS What's wrong with Rob? He's been quiet all day. You'd think someone with a full ride to KSU would be celebrating, not mopey.
JEN I'm not sure, Jess. He had a nightmare last night, and he woke up screaming.
JESS Wow that's pretty odd for a guy. What was it about?
JEN I don't know, he won't tell me. Usually he tells me everything, especially what's on his mind, but now he won't tell me what's troubling him. He's really starting to worry me.
PANEL 5: This is a low angle medium-long shot of the girls looking at Homecoming dresses and talking in a store.
JESS So what are you gonna do for Rob's 18th birthday next Saturday?
JEN Well, his parents will still be out of town, and his sisters are both away at college. So I figure after the Homecoming dance we will go back to his house, and I will make it a birthday he will never forget.
JESS Oh you're baaad, and I suppose you'll be telling your parents that you will be spending the night at my house again like last night?
JEN Of course, you know me so well hahaha.
PANEL 6: This medium shot of Joe and John slapping hands. Rob's standing next to them.
JOE Dude, lets pick up chicks!
JOHN Works for me, man! Let's go!
ROB Count me out. I'm just gonna hang here.
PANEL 7: This is a close-up of Scott and Tyler
TYLER I wouldn't mind chasing some tail.
SCOTT You would have to chase 'em Tyler, because one look at you would make them run away screaming!
PANEL 1: This is a low angle medium shot Joe, John, Scott, and Tyler in that order.
JOE Okay, here's one for ya. How do you confuse a blond?
JOE You put her in a round room and tell her to stand in the corner, but how does the blond confuse you?
JOE She tells you she did it.
PANEL 2: This is a medium close-up of Scott pointing at Tyler.
SCOTT Hey I got a joke for ya. It's a visual joke. He's standing right next to me.
PANEL 3: This is a high angle medium shot of Tyler chasing Scott in this PANEL.
TYLER What?! I'll show you a joke!! It's a physical joke!!
SCOTT Ahahahah! Help I'm being attacked by the missing link!
PANEL 4: This is a long shot of them passing Janelle as she walks towards the other three. Rob is staring off into space as Joe and John are laughing.
NARRATION If they're only dreams then why am I letting them get to me.
PANEL 5: This is a high angle shot of Janelle coming up behind Rob and grabbing his butt.
NARRATION Why am I still thinking about
PANEL 6: This is a close up of Rob's surprised face.
ROB What the
PANEL 1: Rob is turned in disgust towards Janelle. She is looking at him smiling.
JANELLE Hey there handsome, my names Janelle. What's yours?
PANEL 2: This is a high angle medium shot of Joe and John gathered around Janelle and Rob.
NARRATION That's odd she looks familiar.
JOHN I'm John, this is Joe, the two chasing each other round are Tyler and Scott, and
JANELLE And who are you cutie?
JOHN The big man here is Rob.
JANELLE Rob hmm, that's a sexy name.
PANEL 3: This is a medium shot of Janelle's shoulder in the foreground, Rob is turned to walk away and John is next to him in the background.
NARRATION Where have I seen her before?
JANELLE Where are you guys from?
JOHN We're from West Middlesex.
PANEL 4: This is a close-up of Janelle's face.
JANELLE Really?! Wow, my family just moved to Middlesex. My sister and I are starting school on Monday! That's why I'm here school shopping.
PANEL 5: This is a medium shot of Joe, Scott, and Tyler talking.
JOE Dude, I think she wants Rob. How come every girl goes after the guys who are already taken?
SCOTT I'm telling you, girls can sense a dude with a girlfriend for miles. They get off on it.
TYLER I don't know, but we might see a cat fight.
PANEL 6: This is the same shot as above except Tyler looks likes he's going to attack Scott.
SCOTT Why, you jealous, fugly?
TYLER You'll get yours Koncar! Just you wait! I'll get you when you least expected it then
PANEL 1: This is a medium close-up of Janelle looking seductive and Rob uneasy.
JANELLE Maybe you could show me around. Then
we could get a little closer
and get to know each other better?
ROB Well, there might be a problem with that.
JANELLE And why is that?
ROB I'm already
PANEL 2: This is a close-up of a pissed off Jen.
PANEL 3: This is a high angle long shot of Jen standing in front of Rob with an angry look towards Janelle.
JEN You better back the %#$& off him #&%$* 'cause he's my man! JANELLE My, such a foul mouth. I wonder, is there a little devil behind that angel's face? Believe me little girl, you don't know who you're messing with.
JEN The %#$& I don't!
CIRCE Is this scank givin' you $#&%, Janelle?
PANEL 4: This is a low angle shot of Circe in full frame.
NARRATION Just great, it's not like I don't have enough on my mind already.
PANEL 5: This is a medium shot of the Twins standing together.
NARRATION Now my girlfriend's going to get her @$$ beat by miss prim and proper and the gothic nightmare.
JANELLE No Circe, she's nothing I can't handle.
PANEL 1: This is high angle shot of Lord Malice, standing half in shadow with a group of vampires and Hecate looking into a boiling caldron. In the caldron is Jen's image.
PANEL 2: This is a close-up of Lord Malice's shadow draped face.
NARRATION (CRADEN) That girl, she's
but it can't be
PANEL 3: This is a long shot of a flashback to a colonial room where a young woman, who looks like Jen, is standing in colonial dress.
NARRATION (CRADEN) Could it be my angel has returned
PANEL 4: This is a medium shot of Lord Malice (still can't see his face) in colonial dress embraces the young woman.
after all these years.
PANEL 5: This is a close-up of Lord Malice's face still in shadow, with Hecate in the background.
HECATE Master, what would you have the twins do next?
MALICE Hmm? What?! Oh yes, tell them to back down
PANEL 6: This is a low angle medium shot of Lord Malice turned to leave.
I don't want them to draw anymore attention to themselves.
PANEL 1: This high angle medium-long shot of the two sisters facing off against Jen with Rob holding her back.
CAPTION The Mall
NARRATION Why do these girls look so familiar?
JEN %#$& you and your Hott Topik wearing, Goth wannabe sister.
little #&%$*! I should turn you into a boiling puddle of snot right where you stand! JANELLE Now sister, behave. This is neither the time, nor the place.
CIRCE You better thank your God we're in public, #&%$*.
PANEL 2: This is a low angle shot of Rob now in between Jen and the Twins.
NARRATION Were they a part of my dream too?
JEN Don't give me that! You're just chicken $#*%
ROB Okay, that's enough.
JANELLE Well, we have to get going anyway, but I'm sure we'll see you all on Monday.
JEN Better hope not!
PANEL 3: This is a high angle shot of the twins walking away, Circe is giving the raspberries, and Rob and Jen are facing each other.
JEN Why did you stop us? You know as well as I do that if you were in my place you would have kicked some poor guy's @$$.
PANEL 4: This is a medium shot of Rob and Jen holding each other and the others gathered around.
ROB I know, but I didn't feel like watching Mall Security escort you out. Besides, I know you're a bombshell, but I don't think two to one are very good odds.
JEN Jess was here to back me up.
PANEL 5: This is a close up of Rob kissing Jen's forehead.
ROB I know babe. Come on let's get outta here.
PANEL 6: This is a high angle shot of them leaving, and at the bottom of the Page Tyler has Scott in a headlock.
JOE We out like a fat girl in dodge ball!
JOHN Yeah, like boner in sweatpants.
TYLER Ha! Got you now, Scott!
PANEL 1: This is a low angle shot of Lord Malice sitting in a chair by the fireplace in his bedroom and you still can't see his face.
CAPTION Sunday, 12:17am. Deep in the Appalachian Mountains.
BLACK CLAW Hey boss, you got company.
MALICE I thought I made it perfectly clear that I did not want to be disturbed, Black Claw?
BLACK CLAW Yeah
well, I know you're the boss and all, but
PANEL 2: This is a close-up of Lord Malice's hand grabbing Black Claw by the shirt.
MALICE There is no but!
PANEL 3-5: In these PANELs Lord Malice swings Black Claw around to the desk.
MALICE Only what I tell you!
PANEL 6: This is a medium shot of Lord Malice pinning Black Claw against a desk.
MALICE Understand demon-dog?
BLACK CLAW Ugh
yeah, but I don't think
green, tall, and ugly there is gonna listen.
PANEL 1: This is a low angle full body shot of Tartarus standing in the doorway.
TARTARUS Am I interrupting anything? Should I wait outside until you're finished with the sodomy? Hahaha.
PANEL 2: This is a high angle of Lord Malice letting go of Black Claw.
MALICE Ah Tartarus, to what do I owe the pleasure for this unexpected visit? As unpleasant as it maybe.
PANEL 3: This is a long shot of the room. Tartarus is entering further, Lord Malice turns to face him, and Black Claw is clutching his throat coughing.
TARTARUS The dark lord sent me to aid you. Too much is at stake if you fail to sway this Monoki anomaly to our side. He believes this cub is the key to tipping the scales.
MALICE If this is so important to him, why didn't he come to me in person?
PANEL 4: This is a close-up of Tartarus.
TARTARUS Do not question the lord's motives. Besides, he has urgent business to attend to in New York with Azazel and some new Seraphim Enforcer. * (click here to learn more at LoneWolfComics.com/Redemption/!)
PANEL 5: This is a close-up of Lord Malice.
MALICE I see. Very Well, let us get started then.
PANEL 1: This is a high angle of the school halls.
CAPTION Monday, 10:02am. West Middlesex Jr./Sr. High School.
PANEL 2: This is a low angle shot of Janelle grabbing Rob's butt. He's in the air.
JANELLE Hey Cutie!
PANEL 3: This is a medium shot of Rob and Janelle.
JANELLE So are you going to show me around?
ROB I thought Saturday at the mall made it perfectly clear that I'm already taken.
PANEL 4: This is a high angle shot of Janelle with her arm around Rob and a hand on his shoulder.
JANELLE I thought that maybe I could change your mind about us.
PANEL 5: This is a close-up of Rob flipping out.
ROB Hey! Get off me! Let me get this through your thick skull! I tried to be nice, but no
you kept right on. I don't like you. I don't want you touching me. Just stay away from me!
PANEL 6: This is a three quarters back view Rob's head in the foreground as Janelle stomps away in the background. Jen is running up to Rob.
JANELLE How dare you insult me! I tried to save you a lot of trouble, but now you're in for a world of hurt, dog!
NARRATION What the hell did she mean by that?
PANEL 7: This is a low angle shot of Jen with her arms around Rob's neck.
NARRATION Man, I have a sick feeling in my gut that something bad is about to happen.
JEN Oh Sweetie, I'm so proud of you. You flipped out and turned down that #&%$*, and I didn't even have to encourage you!
ROB Yeah, what did you think I was gonna do? Let her hang on me? Hell no, she creeps the $#*% out of me. There's just something really odd about that chick.
JEN Can we say scank? Anyway, don't worry babe if she's some kind of psycho killer I'll protect you.
PANEL 1: This is a low angle silhouette of Ani's house.
CAPTION Tuesday, 9:45pm.
FRED BARK! BARK!
PANEL 2: This is an high angle shot of Ani feeding Fred.
ANI Shut up, you stupid dog! I hate doing this. Fred! Shut up!
FRED BARK! BARK!
PANEL 3: This is a medium shot of a shadow running past her.
ANI What was that!?
FRED BARK! BARK!
PANEL 4: This is a medium close-up of a black figure coming up behind her.
A VAMPIRE Are you Ann Marie?
FRED BARK! BARK!
PANEL 5: This is a low angle shot of her facing the figure.
ANI You scared the piss out of me!
A VAMPIRE Are you Ann Marie?
FRED BARK! BARK!
ANI Yes, who are
PANEL 6: This is a high angle shot of the vampire attacking her.
FRED BARK! BARK!
PANEL 1: This is a high angle long shot of Rebecca walking to her car.
CAPTION Wednesday, 11:15pm
PANEL 2: This is a close-up of Rebecca getting ready to unlock the car door.
TARTARUS Rebecca August?
PANEL 3: This PANEL is a low angle shot of Rebecca startled turned toward Tartarus. His face is covered by shadows.
TARTARUS I have a proposition for you. So should we do this the easy way, or the hard way?
PANEL 4: This PANEL is a high angle of Rebecca shooting Tartarus with pepper spray.
PANEL 5: A close-up of Tartarus' face.
TARTARUS Hmm, pepper spray. Nice touch. So we'll do this the hard way then.
PANEL 6: Here is a medium shot of Tartarus grabbing Rebecca.
PANEL 1: Same shot except he is stabbing her in the stomach with a large knife.
PANEL 2: Close-up of him grabbing her mouth and whispering in her ear.
TARTARUS Alright, here is my proposition. You have two choices. One, I watch you suffer while you bleed to death, then you'll be nothing more than fresh meat. Or two, come with me and you can have
PANEL 3: Close-up of his hand closed.
PANEL 4: Close-up of his hand opening with fire building up.
your hearts desire
PANEL 5: Close-up of his hand open with two figures embracing each other in the fire.
for all eternity.
PANEL 6: Close-up of Rebecca's face. Her eyes are wide and bright with fire.
PANEL 1: Low angle medium shot of Rebecca dropping to her knees.
PANEL 2: Low angle medium shot of Rebecca on her hands and knees as Tartarus walks around her.
PANEL 3: Low angle medium shot of Rebecca on her hands and knees. Tartarus stands in front of her.
TARTARUS So what will it be? I know you're choking on your own blood and all, but I need an answer.
PANEL 4: This is a high angle of Tartarus' out stretched hand and Rebecca looking up at it.
PANEL 5: A low angle of her reaching for his hand, which starts to glow.
PANEL 6: A close-up of her grabbing his hand, and she is engulfed in flame.
PANEL 1: A low angle close-up of his face party illuminated and smiling.
TARTARUS Huh, how predictable. Now the fun begins. Oh by the way I forgot to mention one minor detail. This will cost you your mortal soul.
PANEL 2: A long shot of the night sky and the moon almost full.
PANEL 3: Medium shot of Jen watching TV.
CAPTION Thursday, 6:17pm.
TELEVISION In local news, two local West Middlesex girls, 16-year-old Ann Marie Muscarrelli and 17-year-old Rebecca August, have gone missing.
PANEL 4: Close-up of Jen's surprised face.
TELEVISION It has been two nights since Ann Marie Muscarrelli was last seen. During questioning, the girl's father said
PANEL 5: Close-up of the TV. Ani's dad is talking to a reporter and Fred is in the background.
TELEVISION She went out to feed the dog, and never came back in. So I went out to look for her, and I couldn't find her anywhere. The car was still there, and I didn't hear any other cars come and go. So I called the cops.
PANEL 1: This is a medium shot of Agent Bokor and Hyde watching the newswoman.
CAPTION The FBI's Special Investigations Unit HQ.
TELEVISION Police found no clues to the whereabouts of Ann Marie Muscarrelli. The second girl, Rebecca August, has only been missing since last night, but the police suspect foul play. The girl's mother called the police when Rebecca failed to return home after work. The 17-year-old Rebecca works at Big Beagle Grocery Store in Heritage, PA. Her manager said
PANEL 2: The same shot as above except they both are looking at each other, and now Rebecca's manager is on the TV.
TELEVISION Well, she clocked out about 11:00 and left. That's the last I saw of her.
PANEL 3: This is a high angle medium-long shot of Hunter and Jessie in their garage working and looking at the TV, and the newswoman is on the TV.
CAPTION Fabian's Garage.
TELEVISION Police found blood by her car, and believe the two disappearances could be connected somehow.
PANEL 4: The same shot as above except they both are looking at each other, and now Victor Craden is on the TV shaking hands with guys in suits.
TELEVISION In other news, Craden Corp has developed a line of synthetic plasma. Craden Corp's CEO Victor Craden is set to speak at a press conference Monday morning at Allegheny General Hospital in Pittsburgh, PA.
PANEL 5: This is a close-up of Rob's hand dialing Jen's number.
CAPTION Thursday, 9:41pm
PANEL 6: This is a Close-up of Jen's cell phone ringing.
PANEL 1 & 2: Jen answers the phone on one side and Rob talking on the other.
ROB Hey, babe.
JEN Hey! Did you hear the news tonight!
ROB No, I was at football practice. Why what happened?
JEN Ani Muscarrelli and Rebecca August are both missing! Ani has been gone since Tuesday night and Rebecca has been missing since last night!
PANEL 3: This is a close-up of Rob looking concerned.
JEN And the police found blood by Rebecca's car! They think it might be connected some how.
ROB That's crazy, what the hell is going on?
JEN Are you all right?
ROB Yeah, but this is really starting to creep me out
PANEL 4: This is a medium close-up of Rob looking off into space.
NARRATION A lot of weird $#*% has been happening lately, and it all started with those creepy dreams I've been having. Now they're starting to make a little more sense as bits and pieces seem to be coming true
those crazy twins, Ani and Rebecca disappearing.
PANEL 5: This is a low angle shot of a pregnant Candyce walking home in town. It's a starry night and the moon is almost full.
NARRATION I wonder
CAPTION Thursday, 10:04pm.
PANEL 6: This is an eye level medium shot of Candyce walking past Black Claw who is leaning against a streetlight pole.
BLACK CLAW Hi, there.
PANEL 1: Same angle and shot, but here she is stopped and turned towards him.
BLACK CLAW What's a pretty little thing like you doin' out this late at night without her husband? This town has been getting pretty dangerous these days. You know, with those two girls disappearing an' all.
PANEL 2: This PANEL is a high angle over Black Claw's shoulder looking at Candyce.
CANDYCE Oh, I'm not married, and I just leave down the street.
BLACK CLAW Boyfriend?
CANDYCE I was seeing a few guys, but none of them want to talk to me anymore.
PANEL 3: Here is a low angle looking passed Candyce's shoulder at Black Claw with a smirk on his face.
BLACK CLAW Gee, I wonder why.
BLACK CLAW Ah
I said, that's just not right. A fine young lady like yourself needs a man to take care of you.
PANEL 4: This PANEL is a medium shot of Black Claw extending his arm out, and Candyce is pointing down the street.
BLACK CLAW Would like an escort home?
CANDYCE Well, you're very handsome and polite, but no, thank you.
BLACK CLAW Suit yourself.
PANEL 5: This is a low angle of Candyce's back at a side angle as she walks away.
BLACK CLAW Grrrr! Ahwoooooo!
PANEL 1: This is a full Page of Black Claw as a werewolf jumping towards Candyce who is now turned toward him.
PANEL 2: This PANEL is a high angle close up of Candyce's frightened face.
TO BE CONTINUED
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